A few riffs will miss by a wider margin than intended, and a transition or two will feel rushed or slapped together. The new lineup put out two studio demos, in 1988 and 1989, and gained a worldwide following in the underground death metal scene. After recording the "Warriors of Doom" demo, the band changed their name to IMMOLATION in April 1988. 1991 was a prime year for death metal, seeing other releases like “Effigy of the Forgotten” and “Blessed Are The Sick”. This album right here presented before you is some of the darkest, bleakest, and most haunting death metal ever written. This is a monolith death metal, a powerful and majestic record. By the time they released Dawn of Possession, Immolation had none of the founding members from Rigor Mortis. The combination of these elements is the perfect recipe to create an enormous and destructive bomb that lasts 42 minutes and 42 seconds exploding. 19 thoughts on “Listenable Records reissues Immolation – Dawn of Possession” OliveFox says: November 19, 2015 at 2:26 pm One of my very favorites! you are Jesus, you are lord, imperfect god, you are nothing to me...” That’s the essence of Immolation, one of the most evil bands ever, and one of the best too. $8.49. to the final seconds of “Immolation - “Dawn of Possession” is a complete record, filled with amazing songs, killer riffs and ideas and amazing feeling. Immolation … “Fall In Disease” is another fast track, it follows the same pattern as the other ones, heavy and evil riffs with crazy drumming and low vocals. begins to rot and DIE! This debut album is frequently cited as being an important and highly influential album, having laid down the blueprint that bands such as CRYPTOPSY and SUFFOCATION would follow with their respective debuts. Dawn of Possession's iconic opener, Into Everlasting Fire, starts the album off with a bang; no intro, no slow buildup, no beating around the bush. To calculate the overall star rating and percentage breakdown by star, we don’t use a simple average. http://www.fromthedustreturned.com. Burial Ground 9. The music makes a swift return to the hectic world of barrages of New York death metal riffing and extremely heavy drumming, but that brief reverie is definitely the album’s most memorable moment, and one of the best moments in the band’s entire discography and death metal on the whole. The band signed a record deal with Roadrunner Records and released their debut album "Dawn of Possession". Reviewed in the United States on April 16, 2017. Don’t hesitate. This is Immolation's world and in it they are free to drag their listener into a realm of death, darkness and destruction. To some degree, this album got 'second tiered' in my collection due to the fact that I was still in the throes of appreciation for extremely catchy, evil old death metal with the sorts of catchy riff progressions I equated to the speed or thrash acts I was so enamored with. But there are a fair share of moments on the album in which I felt more of a swinging through the motions rather than any sense of soul sucking pathos. Four explosive power chords, followed by the rest of that frantic riff, are the perfect way to start the unrelenting assault on the ears that is this album. And maybe it is a good thing that this album has to grown on you. Despite all of this, Dawn of Possession ended up being a hell of a debut, and rightfully heralded as an all time classic by death metal fans. Reviewed in the United Kingdom on March 7, 2015. shipping: + $5.29 shipping . His drumming is like nothing I've ever heard before in the way he is able to follow the guitars and add unique layers on top of the music to create his own truly unique style of frantic drumming. In general, even though I consider this one of their best albums, a lot of later Immolation experiments with riffing structure and dissonance to greater effect, and that's really the band most have come to know and admire. Andrew Sacowicz and Dave Wilkinson formed Rigor Mortis, then recruited Robert Vigna as their guitarist. The tremolo riffing progressions in pieces like "Into Everlasting Fire" had that same menacing, morbid flavor I took away from Scream Bloody Gore and Leprosy. Where a band like Deicide, who delighted in God-dissin' blasphemy so directly and theatrically that they created a shockwave through semi-popular culture, always came off 'hammy' to me. Author SuNioj0369 [a] 384. Highlights: His vocals are given some great reverb at points to just hover off over the ballistic undercurrent, and though the guy just doesn't have a super distinct style like John Tardy or Martin van Drunen, his performance here is a perfectly serviceable and disturbing peer for David Vincent and Craig Pillard. Dawn of Possession, an Album by Immolation. Reviewed in the United Kingdom on October 28, 2014. Dawn of Possession is technical and fairly dissonant, but much less so than the albums that would follow it. Aside from the quality of riffs an sich, the most noteworthy aspect of the album is the majestically dark, deep atmosphere, which the thick production, sinister guitar leads, and the almost inordinately heavy riffs and drumming together create. Dolan's voice destroyed the old norms of death growls and replaced them with something much more devastating then before. The title track solidifies Dawn of Possession's lyrical focus on darkness as Satan is the main focus of the song. We work hard to protect your security and privacy. The album effectively continues with a similar pattern of using appropriate variation throughout the songs in a fashion that keeps any part of the album from feeling dry or repetitive. Ross Dolan's vocals sound so inhuman on this record. A near mandatory purchase for any self-respecting man, woman or child who dares wear the mantle of 'death metal fan'? Certainly, there are far more hateful and brutal death metal albums than “Dawn of Possession”, and approaching Immolation’s debut, or any of their records, as some kind of a pinnacle of aggression and derangement would be misguided. Obviously I had it in my collection (on a pirate Polish tape, hehe) and have listened to it, but there were albums that I listened to and liked more like “Leprosy”, for instance. It was released on July 19, 1991; it was their first and only album released on Roadrunner Records. Where the brutality becomes quite soulless in spite of itself. “No Forgiveness (Without Bloodshed)” it’s almost instrumental, there are just a few lines written to be sung by Ross Dolan, it features one of the best and largest solos of the album and some explosive blast beats when Dolan sings. And yes, this album is brutal. That was the time when death metal was newly born, slowly taking its form by releases of historical bands. Metal Mind Productions has reissued this record in recent years, so there’s no excuse not to own this classic slab of death metal. Which is why the guy was so damned good: his flexibility, and understanding of those aesthetics that made each of these creatures unique... Hell I could listen to Bloodthirst all day, but it does keep those albums back from reaching that certain level if you know what I mean. Reviewed in the United States on January 20, 2016, Reviewed in the United States on October 28, 2012. Ross Dolan's death growls are surprisingly deep. The leads and solos are substantially less pervasive than on following albums, and while Vigna’s later works would feature honed technical brilliance and increased complexity, his ability to convey atmosphere through hellishly dark, otherworldly guitar leads is at its greatest here. For example, I think that “Here In After” requires much more attention than the debut and that’s because it is not only based on the complex structures, but Immolation also have more easier and straightforward and more memorable moments, like that opening theme of “Those Left Behind”, which is just incredibly great! Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. The rhythm guitars pinch off a number of percussive squeals through the monstrous miasma, but blend them seamlessly into the overall riffing structure, rather than transforming them into an annoying 'feature' as many later, younger brutal death acts would (and still do). Couple that with the strongest musicianship on the second half of the album and you've got one of the greatest death metal songs ever with the vocals being the high mark within the song. Atmosphere aside, “Dawn of Possession” is perhaps Immolation at its most mundane and traditional, making it a perfect starting point for new listeners. The debut shows Immolation at a stage where many aspects of their later lauded style were yet undeveloped. This song has a very black/doom feel to it. The raspy, primitive growls and chaotic, technical guitarwork that's much more intricate than their contemporaries are the main similarities between these two albums. Prime members enjoy FREE Delivery and exclusive access to music, movies, TV shows, original audio series, and Kindle books. Rather than being driven by atmosphere, Dawn of Possession is driven by sheer chaos and aggression. I know that the musicians will always say that their new album is the best, etc, but fans will always have different opinion and quite often (in 99% of cases, hehe??) Well, his bass playing may be totally overshadowed by Vigna’s (and Wilkinson’s) powerful guitar riffing, but if he isn’t one of the most characteristic and vicious death growlers ever, then I will eat my shoes. The opener Into Everlasting Fire, one of my personal favorite death metal songs, is basically a progressive song. Immolation’s debut does lack the murderous energy of much of early death metal, but it supplements it with unrivaled brilliance of horrific, depraved atmosphere, while studying and developing the extremes of death metal riffing to a laudably major extent. Not only does Ross Dolan do a terrific job on vocals, but he also established THE signature sound of death metal vocals. Favorite Add to Mayhem " Logo " Men's tank top Black Metal death Watain Marduk Emperor Beherit Blasphemy Immolation Morbid angel TheGoddessandTheGoat. Many bands that came up at that time have been a powerful influence on modern death metal, and one of those bands is Immolation. There was an error retrieving your Wish Lists. and which may be quite complex and technical, with some twisted solos here and there. From fast thrashy riffs to slow, annihilating ones and some sick groove that could not leave my head motionless. The guitars on this album truly could be licensed as illegal weapons. Immolation. Please note I received the white vinyl reissue and limited edition by the French company, Listenable Records. Those were the first 5 songs, now the other 5. The soloing is nothing special. Drummer Craig Smilowski gives off a wonderful drum performance that certainly isn't a let down. dark clouds start to thicken Listen free to Immolation – Dawn of Possession (Into Everlasting Fire, Despondent Souls and more). We have a great online selection at the lowest prices with Fast & Free shipping on many items! Ross Dolan's vocals were like a deeper, more guttural Chuck Schuldiner tempered with David Vincent, albeit with a pretty convincing sustain placed on many of the lyrical phrases. Despondent Souls 10. There’s a sense of calculated, just barely restrained rage in the downtuned, immensely heavy riffing and Dolan’s frantic and yet controlled vocal delivery. I have never gotten that impression from Immolation, and this lack of a disconnect really helps thunder home the barbs of darkness with due verisimilitude: Atonement received universal acclaim from critics. Quite the contrary, since they are abstract at times and create an evil atmosphere that really intrigues me. “Dawn of Possession” ranks among these records as a classic death metal assault. The songs themselves are quickly remembered, they are all equal, and a few of them, such as "Those Left Behind", "Immolation" or the mentioned "Into Everlasting Fire" stand out as ultra-awesome, plus a nice, rough production, which makes the whole sound powerful, but also legible. Dawn of Possession is a stand alone album in Immolation's discography. I bought the vinyl of this album in 1991 and have loved it since then. Immolation has put out many great records, but this one will stand the test of time even 50 years from now with the dark riffs, vocals, pounding drums, and beautiful artwork. After a series of well-received demos, Immolation signed to Roadrunner in 1991 to issue their debut album, Dawn of Possession; a five-year gap (and a move to Metal Blade) preceded the follow-up Here in After. Sure, you could compare it to Incantation or Autopsy in terms of how dark, heavy, and brutal it is, but Immolation had their own approach. All in all, “Dawn of Possession” is probably the catchiest and easiest to listen to of all Immolation albums anyway, hehe! The depth of atmosphere awards the album layers that go far beyond mundane assessments of catchiness, brutality or intensity. After this, Internal Decadence, also the shortest track on the album, is similar in nature to the title track, but manages to be a bit more varied in its sonic onslaught. As I mentioned, they build tension within their riffs, and seem to do this with their song structures as well. Though most of the album is fast paced, Dawn of Possession never feels monotonous or tiresome. Following Into Everlasting Fire are Despondent Souls and Dawn of Possession, two of the most straightforward and aggressive songs on the album. For example in songs like "Into Ever Lasting Fire," "Dawn of Possession,” and "Internal Decadence" feature more down tuned thrash riffs while songs like "Despondent Souls, “After My Prayers" and “Those left Behind” feature slower more menacing riffs which are just incredibly dark. Whilst much of his bass work follows the rhythm guitar; which is a feat in itself; he occasionally has the chance to shine by playing his own individual sections which meander away from what the rest of the band are doing at the time. For bringing the Immolation brand to old school death metal, Dawn of Possession gets an easy 99 or a 5 out of 5 “Despondent Souls” begins with that slow riff and that doomed scream, and suddenly gets faster. On a strictly superficial level, Dawn of Possession struck some semblance to other death metal works to have come before it. A special reference though should be made to the drums as well because they sound exhaustingly difficult. Immolation is often regarded as one of the greatest death metal bands to come out of New York. After My Prayers 9. And I'm not taking anything away from those bands. Top subscription boxes – right to your door, © 1996-2020, Amazon.com, Inc. or its affiliates. T Standout tracks: “Those Left Behind”, “Into Everlasting Fire”, “No Forgiveness”, “Dawn of Possession”, “After My Prayers” Characterized by their instantly recognizable blend of creepy dissonant chords and pinch harmonics, mind-bogglingly complex drum patterns, and the trademark roar of Ross Dolan, they have worked their way … Immolation 6. Vigna's soloing is incredibly beautiful and dark sounding. Spewing out blasphemy in his signature monstrous roar is just another day at the office for this man, delivering his lines with incredible brutality and anger. $43.90. Tuning: E A D G B E. File format: gp5. Speaking of Ross, he has one of the most characteristic voices in death metal as it is deep and brutal, like growling straight from hell. Even today it seems unbelievable to me that some guys in their early 20s wrote such a brilliant masterpiece. Death metal bands were sprouting up everywhere and the genre was at it's highest fan base. I must have seen this band live a half dozen times through the years, never with a sizable crowd, and yet they've never given anything less than 100%. I say that because, rather than go with the flow and pursue the same, predictable Morrisound muffled and processed guitar tone that many of Immolation's Roadrunner labelmates had sought, they recorded this at Musiclab in Berlin, with none other than Harris fucking Johns on the boards. His growls don't sound like a typical cookie monster growl but instead have a low-pitch rasp to them, almost like the harsh vocal equivalent of a bass baritone. Ross Dolan's vocals surely haven't aged between this legendary debut, Dawn of Possession and Atonement. Immolation is a death metal band. I'd argue that the lack of a palpable atmosphere actually works in Dawn of Possession's favor. Let’s take a look at this masterpieces song structures. Every riff is awesome and the vocals kill. Because of this, Dawn of Possession is really the only album like it in Immolation's discography. Constant tempo changes are the main course for the opening song "Into Everlasting Fire"; an idea the band would reuse on later works such as the song "Nailed To Gold"; and feels fresh and interesting. “Dawn Of Possession” just grinds your head from the start to the end, perhaps is the fastest song of the album. This album is so heavy, dark and powerful that it feels like a Religious experience every time I listen to it!!!! And finally we have Ross Dolan. The mid-tempo intro of Despondent Souls is an appropriate followup to the climactic end of Into Everlasting Fire. This is where it all started, and Immolation were a band that influenced a lot of more brutal death metal bands, as well as a lot of the more technical ones, but still trumps them all in terms of quality and consistency. Rather than making genuine and thought provoking arguments against the futility and toxicity of Christianity like the aforementioned albums, Dawn of Possession keeps it simple for the most part. IMMOLATION was dropped when Roadrunner Records dropped nearly all of the death metal bands on its roster. The youthful energy that characterizes this album is best embodied by vocalist/bassist Ross Dolan who consistently holds up his end of the music throughout the entire release. Final rate: 95/100, Today I will turn the clock back, 22 years ago. The proper tag is as follows: POSH297 (release date: 16 Oct 2015). Vigna and Wilkinson do an electrifying job of playing technical riffs at incredible speed. Without question, the album’s strongest point is in the title track’s darkly atmospheric bridge (“Arise in flames…”), where, though only briefly, the relentless death metal background leaves the stage for an almost otherworldly, beautiful moment of revelry in ecstatic hatred and destruction. It was my first Immolation album, the one that got me into them. (at least that is my interpretation). Back to songs. There’s not much to read into when it comes to the lyrics on Dawn of Possession, but that doesn’t detract from their quality. Guitarist Robert Vigna and Tom Wilkinson do a tremendous job of constantly changing in and out of each riff. Difficulty: intermediate. I'm on my third copy. And this is something not so common… It is enough to watch this man play on the stage, how he behaves and performs to know he’s not a typical death metal guitar player. Infectious Blood 11. Each of these amazing tracks is absolutely killer, no filler on this album!!! I mean some death metal bands (*cough Cannibal Corpse *cough) only know how to make one type of song. I found this to be significantly above the average of most Death metal bands. Unfortunately, around the time Immolation was about to record Dawn of Possession, Neal Boback felt inadequate and left the band, which was when Craig Smilowski came to replace him. My favorite part about this record is Craig Smilowski’s drumming though. After recording the "Warriors of Doom" demo, the band changed their name to IMMOLATION in April 1988. Damn, he sounds like a beast from the underworld, screaming some unreadable words in the pits, and so netherworldly his voice sounds. There’s little impulsive anger here. Though Immolation’s guitar genius Robert Vigna would slightly alter and develop his riffing style later, as apparent on subsequent releases, “Dawn of Possession” is where his guitar leads are at their strongest, even if his later riffing style might have had greater overall effect than the style on his debut. Similarly, many elements peculiar to the New York death metal scene (even later bands like Malignancy) can be heard that eventually made way to characteristics and traits that Immolation’s later-conducted further development of its own style awarded. May the love of god shed its grace The ingenious carnage that he creates with his voice is only matched by the chaotic bass performance he provides. Another factor that contributes to the success of Immolation's spectacular debut is the savage drum performance that carries the album galloping forward at a blistering pace. Many death metal bands at the time (early 90s) had very good riffs but the soloing was out of key, and just a mess of fast notes played at random with not much structure (ex. It would be another 4 years until Immolation struck again, with “Here In After”, which is similar to this album, but more musically complex. So many different riffs assault you, with varying tempos and sections. If you haven't listened to Dawn of Possession once in your lifetime, make sure you hear the dissonant riffs. Dawn of Possession 03:04 Show lyrics (loading lyrics...) 4. Burial Ground 8. There's a problem loading this menu right now. “Immolation” is sadly the last song, it is one of the first compositions with the name Immolation, and is another fast, brutal piece of classic DM, it shows the capacity of the band since its inception, and their signature technical riffs. Immolation Anyone that listens to this album will probably give Immolation the place they rightfully deserve, among the pioneers of death metal. ), but once you listen to it again and again – and you’ll give it repetitive listens, as this music is just possessing – I bet this will all make sense to you and you’ll start catching every part, every riff, and phrase without any problems. Smilowski shows he can keep up with the rest of the band with his quick reflexes. Even though it is longer than the average death metal album at 42 or so minutes. "Those Left Behind" shows off a slower side to the band to begin with and whilst the drumming is more simplistic here than on much of this release; it also shows off Craig Smilowski as a multi-talented drummer; capable of performing at any speed to no less effect. The closing track, "Immolation" is an iconic number that contains the best one-liner lyrics on Dawn of Possession: "Immolation now begins...". -autothrall You can hear every goddamn tom roll, kick, slap, snare and splash throughout, so prevalently that you feel as if you're actually sitting in Craig's chair and battering the kit yourself, effortlessly morphing between blasts and grooves, so second nature that it becomes third...nature. Dawn of Possession (1991) by Immolation. Dolan's bass lines shadow the guitar, and though they're rarely as interesting, the fact that he's pulling double duty precludes any real disappointment. Burial Ground (live) 13. Hatred and war, sadistic spell –. “Internal Decadence” is a pretty fast one, those thundering drums keep the song dynamic, with every break this guy, Craig Smilowski, does. While the bass isn't audible due to the very powerful guitars and drum sound, Ross is a formidable bass player and vocalist to keep up with guitar wizards Wilkinson and Vigna. Immolation Lyrics: Feasts on the flesh of innocents killed / A sacrifice to our Lord / A sign from below to slaughter and kill / All in the name of hell / A circle of fury that starts in hell / And Genres: Death Metal. One of IMMOLATION's most classic albums, Here In After, has its T-shirt grace the online store!! I have several disc's by this band, and never could find this disc. they’ll say that the first couple of albums are the best. Listen on Apple Music. Every instrument is heard just the way I want it to be heard. On the albums following Dawn of Possession, Ross Dolan's growls got lower pitched and started sounding more enraged. If you haven't heard this record give it a listen, I strongly recommend it. Swallows the earth, thanks be to Hell! It's notable for being a mix of old-school and brutal death metal. You can at least hear them swerving along like a 1st edition gelatinous cube sweeping clean a dungeon corridor. The same riff is repeated later, but it isn’t boring, the band keep it fresh, and to be a 6 minute song it is very fluid. His reflexes show just how talented he is when he is bashing his snare at full force and is double bassing at lighting fast speed and he'll suddenly stop and catch his cymbals and do something completely different and switch between the two. Overall, "Dawn Of Possession" is the essence of American death metal, an album well balanced in terms of brutality, technique and climate. Immolation is a death metal band from Yonkers, New York. Originally written for: The Lair of Storfeth. This is an especially impressive feat when you consider how hard it must be to compose songs in Immolation’s unique and intricate style. Speaking of which, the sinister lyrics here, which read like a pathological examination of damnation against a backdrop of Milton and Dante, feel legitimately harrowing, haunting and sincere. Comparing, for example, the artwork here to those of Cannibal Corpse albums released around the same time gives a fairly accurate image of how “Dawn of Possession” compares to its contemporaries. T-Shirts Home › T-Shirts; Quick View Choose Options "Failures For Gods"_(No Sleeve Print) $20.00 Quick View Choose Options; T-Shirt: 89 Demo . One thing that separates Immolation's debut from other death metal debuts is the technical riffing and drumming. Yog-sothoth comes to Yonkers! The band recorded 4 songs on the "Demo II" 1989 sessions, but only 3 were finally released: "Internal decadence", "Burial Ground" and "Despondent Souls". 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